How Being a Disney World Caricature Artist Changed My Art Outlook

I shared this post initially to my email list, but wanted to make sure others got a chance to read it, too. You can sign up for my email list and get previews of my artworks before they go up for sale to the public by signing up here.

“Dots,” acrylic on cradled panel in a handcrafted floater frame, 6″ x 12″. SOLD

 Art is, and should be, a very personal thing, both for the artist and
for the viewer. While a mysterious landscape or exceptional portrait can
momentarily move me, I am most frequently drawn to the paintings that
make me smile, laugh or reminisce about a pleasant memory, which is why I
paint what I paint – toys, candy, bright colors and quirky trompe
l’oeil. For this, I owe a great deal of inspiration to my time as a
caricature artist at Walt Disney World.

When I first began painting in college, I had no idea what to paint –
and I was a pretty terrible artist then, too! I painted the usual
painting exercises – vases, plastic skulls, copies of master works, but I
didn’t have any vision, and so I gradually lost interest in my work.
Not long after graduating, a very gracious lady decided to give me an
opportunity to work as a caricature artist at Animal Kingdom, one of the
four Walt Disney World theme parks. She did this, despite the fact that
I had no colorful or funny works in my portfolio – just dark, brooding,
20-something tortured artist works. This was, I suppose, a moment that
changed my whole outlook on making art.

All day, I’d shout and point to the children and families walking by –
as I was trained to do – “You’d make a great cartoon! YOU’D make a great
cartoon.” Doing dozens and dozens of drawings of people every day,
making them look cute or funny, my goal was always to make the person
sitting and their families laugh at just how adorable they were. It fed
my creativity and enthusiasm, and I wanted to get better and better, and
make better work, get more creative, and produce things faster.

While I had a long hiatus from making art not long after that job until
just a couple of years ago, I often think back on how much I learned
there about making fun art that makes people smile. Life can be a bit
too serious sometimes, so if I can make art that momentarily removes
viewers from our super-serious world and feel what it’s like to be an
imaginative kid again, full of wonder and fun and color, then I’m a
happy camper.

, ,

Leave a Reply

Kim Testone

Artist Kim Testone

I’m a full-time acrylic realism and trompe l’oeil painter creating whimsical food paintings inspired by real-life creations that I bake, decorate or scoop in my kitchen. All of my paintings are flat, painted with many thin layers of acrylic paint, aiming to look at three-dimensional as possible. I hope you’ll join me on the journey of creating art that brings a little happy magic into the world. I’ll be sharing my process, my insights, and hopefully some things that will inspire you to appreciate the little things around you every day.

The Formal Stuff:

  • B.A. in Studio Art from the University of Central Florida
  • M.A. in Arts Administration from Savannah College of Art and Design
  • Former Art Magazine Editor
  • Represented by Hidell Brooks Gallery in Charlotte, North Carolina

Let’s connect

Discover more from Making Happy Art

Subscribe now to keep reading and get access to the full archive.

Continue reading